Videography Quote Template
Shoot days, crew, edit days and deliverable cuts, with a picture-lock. Free PDF, no sign-up.
Video is quoted in days: pre-production days, shoot days, edit days. Each has a crew and a kit list attached, and once those are agreed the price is a sum rather than a hope. The part that runs away is the edit, which is why the professional document names a picture-lock — the moment after which changes are a new job — and says how many rounds of notes come before it.
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QUOTE
Issued
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Issued by
Northbank Film Co.
410 Dexter Avenue North 98104 Seattle, WA United States produce@northbankfilm.example |
Bill to
Summit Gear Outfitters
2100 Cascade Avenue 98004 Bellevue, WA United States brand@summitgear.example |
| Description | Qty | Rate | Tax | Amount |
|---|---|---|---|---|
Pre-production day Treatment, shot list, location scout and call sheets | 1 | $1,350.00 | — | $1,350.00 |
Shoot days — crew of four Director, DP, sound, gaffer; two locations, cinema camera package | 2 | $4,800.00 | — | $9,600.00 |
Edit days Assembly, two rounds of notes, grade and mix to picture-lock | 6 | $950.00 | — | $5,700.00 |
Deliverable cutdowns Three 15-second vertical cuts, subtitled, for paid social | 3 | $420.00 | — | $1,260.00 |
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What this quote commits you to
- How long it stands
- 30 days. Crew, kit and edit days are quoted as one package and are not separable once shoot dates are held.
- What it does not cover
- Music licensing, voice-over artists, motion graphics and animation, captioning in languages other than English, and talent fees.
- What would change the price
- A shoot day that overruns its call sheet, and any re-edit after the picture-locked cut has been signed off.
- How the client accepts it
- Sign the production quote and confirm the shoot dates; call sheets are issued a week before the first one.
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What to put on a videography quote
- Shoot days with call times, and the crew roles on each one
- Kit: cameras, lighting, audio, and whether a gimbal or drone is included
- Edit days separated from shoot days on their own lines
- Deliverables by cut and duration — a 90-second hero and three 15-second cutdowns are four deliverables
- Rounds of notes included before picture-lock, and what a change after it costs
- Music licence, its term and the territory it covers
- Aspect ratios and versions per platform, counted rather than assumed
Questions
What is picture-lock and why does it belong on a quote?
It is the point where the edit is agreed and only sound and grade remain. Naming it turns the open-ended part of video production into a bounded one — after picture-lock, a change is quoted, and both sides knew that before the first shoot day.
Should cutdowns be priced as separate deliverables?
Yes. A vertical fifteen-second version is a different edit with different framing, not an export, and agencies routinely ask for six of them on the assumption that they come free with the hero film.
Who pays for the music licence?
The client, at cost, and the quote should name the term and the territory. Music licensed for social use and music licensed for a paid campaign are different fees, and a film that outlives its licence is a legal problem delivered along with the file.
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